![]() ![]() The Pro-One was a two oscillator monophonic analog synth with some interesti. “You have to take a lot of time and care in wiring up a studio if you want to get a great result out of it because there’s quite a lot to mixing in analogue. Here are a few sounds from this vintage Sequential Circuits Pro-One synthesizer. If you want to mix on it you’ve got to have a perfect signal path and all the wires have to be exactly the right length. “It’s very noisy, like a lot of the gear we have. It’s pretty rubbish really, but in a way that’s the good thing about it you just drive up the gains to the maximum, turn all the EQs up and it gives you some nice, crazy distortions. There is a protective layer of plastic on these. The back is self-adhesive so there is no need for glue. One is the 'Pro-One' badge and the other is the small 'Sequential Circuits' badge thats under the pitch/mod wheels. Check Prices The Sequential Pro One is a wicked little monosynth It comes from the same period and genre as the Roland SH-101 and Moog Prodigy. This sale is for the two badges pictured. Now we use a Mackie 32-channel mixing desk.” As the title says, these are new reproduction Sequential Circuits Pro-One badges. We had to add so much grit to the music we were making back then to make it pleasing to the ear. It does actually recall mixes just for the purposes of being able to do more work on them.”īen: “Personally I always thought it was a bit clean-sounding. We wanted a fully recallable analogue desk and there wasn’t such a thing in those days, so we had this custom built. Matt: “This desk cost a fortune, about 20 grand I think. Merging their talents, the duo formed Virus Recordings, dropping the drum ‘n’ bass classic Wormhole in 1998, followed by The Creeps (2000) and their third album, The Original Doctor Shade (2003).Īs EDM slowly infiltrated an unsuspecting drum ‘n’ bass scene, Ed Rush and Optical have been well served by their knowledgeable production background, which has enabled them to cross generic borders effortlessly, both in the studio and on the DJ circuit. In close proximity, Matt Quinn (aka Optical) was recording alongside his brother Jamie (Matrix & Futurebound) while engineering tracks for Grooverider’s Prototype imprint and Goldie’s Metalheadz label. ![]() The bottom and back of the case is missing but it Boots and make sound, both OSC make a Tone but I think it needs a service or calibration. It has a Doepfer Midi Kit installed to trigger it - also it has a CV GATE Input. Bidding to become part of the drum ‘n’ bass elite, Settle then teamed up with DJ Trace to help formulate the shifting, sci-fi moods of the genre known as techstep. The previous owner minimalized it to a desktop version. ![]() Fascinated by London’s Rave scene, Ben Settle (aka Ed Rush) entered the world of production alongside infamous No U Turn label owner Nico Sykes to produce the 1993 drum ‘n’ bass classic Bludclot Artattack. ![]()
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